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Veronika Decides to Die

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June 14, 2003

Distractingly Difficult?

In preparation for our discussion of Blindness, I’ve been surfing the Internet for reviews. The one thing that made me nervous about choosing it is Saramago’s style. It seems like some people really hate it.

From Amazon’s customer reviews: "The author uses run on sentences that go on forever, and the only punctuation he seems to use is commas. And what REALLY bothered me was that he didn't give the characters real names, and when they were speaking it was terribly difficult to tell who was talking. I don't think he even used quotation marks for the dialogue. Very frustrating."

And another: "I hate the way Saramago mixes up his conversations between people into long sentences separated by commas. He makes it distractingly difficult to tell who said what. I suppose its all nice and nobel prizey as far as literary devices, but I find it annoying. There is some merit in this method, but worse is that the story is beriddled with elements that reveal the lack of insight of the author."

From Epinions: "The writing style has been proclaimed by experts to be ‘novel’, I found it tedious. When characters speak, I fully expect to see a paragraph break and some quotes around somewhere to give me fair warning. Whenitisallruntogetheryoubegintowonderifthe attemptatstylewasperhapsgettinginthewayofhisstory. Note: I typed that last sentence that way on purpose to illustrate my point."

What they call bothersome, distracting, and tedious, I consider craft. To me, Blindness is one of the greatest novels ever written and I’m looking forward to finding out what you think.



comments

When I mentioned to Mary last month that I wasn't able to get into the Canticle for Leibowitz, she said along the lines of, well, good luck with Blindness. Her reasoning made sense: As the above makes clear, it doesn't look like an easy read.

However, I've found it incredibly engaging, and quite easy to read -- once I figured out what was going on. I reread the first page probably six times, and some sentences even more than that, and then just forced myself to go on. And I'm glad I did; it's good stuff.

Did I really say that? Or was it more of an oh, crap, he can't get past the convoluted prose of Canticle, so he's never going to get through Blindness?

The run-on sentences and lack of punctuation are enough to make any college writing professor cringe. I, on the other hand, have third-grade students as gifted as this Nobel prize winner. I sometimes get stories several pages long and consisting of only one or two sentences.

Without getting into the real discussion of the book (still a week away), I enjoyed it, although I found it somewhat depressing (as it ought to be).

I felt the style really suited the topic, as it mirrored the confusion of the blind. Without sight, distinguishing conversation would become challenging at first, until you attuned to using someone's voice as the sole indicator. And the purposeful avoidance of names of people or places kept you from getting bogged down in that sort of detail - I think he wanted things to reflect the white sterility of their new lives.

Dang, there went my desire to hold off discussion...

I'm looking forward to the discussion as well, and that's probably why I've started posting about it ahead of time. I hope most members have been able to read it. Although it is kind of depressing, I found it exceptionally rewarding and feel like I learned a little bit more about myself after having read it.

Fascinating - I don't think I got anything like that out of it. I look forward to the discussion getting into high gear - maybe I missed something.

 

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