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May 07, 2007

Zadie Smith in The New Yorker

While authors of upcoming discussions are on my mind, I should also mention that Zadie Smith has a short story in this week's The New Yorker: "Hanwell Senior."

To be perfectly honest, I don't get it—mostly because the entire piece seems to be summed up in an aside appearing at the end of the second section. So as not to give it all away, the paragraph that threw me begins with:

Note: I have reconstituted Hanwell’s thoughts for you, as seem likely to me, and as sound nicest. In the novel "Middlemarch," we find the old adage of a man’s charity growing in direct proportion to its distance from his own door.

However, rather than myself or Zadie Smith, my lack of clarity may be the fault of Microsoft. After having several technical problems with Internet Explorer 6 this morning, I finally bit the bullet and downloaded version 7. I'm having some trouble with ClearType. Despite trying each setting in the tuner, every web page looks blurry. (Oh, the irony!)

Maybe I'll read "Hanwell Senior" again in a few days when my vision has adjusted.

Update: I spent most of the day yesterday being disappointed with ClearType and making mental notes about uninstalling it. With reluctance, I turned the computer on this morning and was instantly amazed at the readability of everything on the screen. Holy cow! It looks just like type in a book.



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comments

I agree that her point came then, disaffected family. Hanwell himself though never takes shape enough that he made the grade.

The Hood Company

Brian, I reread the story and feel both Hanwells don't "make the grade." It seemed to me that Smith spent too much time telling instead of showing, so I couldn't get into the story or care much about the characters. It was well-written and employed a nostalgic yet regretful tone, but...eh.

Jr wispiness doubled theme wispiness, the theme of the story was wispiness but Jr himself was a wispy man and who wants to read that? I agree her style stunk verbosely.

The Hood Company

Maybe Smith's technique doesn't translate well into short stories. The Hanwells themselves were simply too boring to make any other part of the story interesting. White Teeth's style was similar, and I also had a problem liking those characters.

Thankfully, I've heard a lot of great things about On Beauty. I hope it will be a good one since we have a discussion of it coming up.

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